Bert Monroy is celebrated as one of leading digital illustrators working today. Using Adobe Illustrator, Photoshop, and other tools Bert has the amazing ability to create hyper-realistic digital images that surpass photographs in realism. In this extended interview we discuss Bert's beginnings as a digital artist, to his current work. Recorded at the National Association of Photoshop Professionals Photoshop World Conference, in September 2007 by Harris Fogel. Posted 6/29/2008 (35:22)

At the 2007 Photoshop World in Las Vegas, I sat down with Peachpit Press and Focal Press author Richard Harrington, and we discussed the issues involved in creating DVDs that make your photographs look their best. If you have ever been confused about the proper resolution to prepare files for DVD, television, or video projection, then this interview with Richard will fill in the blanks! If you are working with digital photography, Photoshop, or Lightroom, and need to show others your photos then listen to this interview! Recorded at the National Association of Photoshop Professionals Photoshop World Conference, in Las Vegas, September 2007 by Harris Fogel. Posted 6/28/2008 (24:09)

At the 2007 Photoshop World Conference in Las Vegas, I sat down with John Nack, Senior Product Manger for Adobe Photoshop and Bridge, and we discussed John’s background in digital imaging, and an extended conversation on all things Photoshop, both now and in the future. If you are working with digital photography, Photoshop, or Lightroom, then listen in to this interview! Recorded at the National Association of Photoshop Professionals Photoshop World Conference, in Las Vegas, in September 2007 by Harris Fogel. Posted 6/28/2008 (26:24)

Achieving an accurate white balance has been the bane of photographers working in color since the invention of color photography. Fast-forward to the digital age, and white balance is simply a click away, or at least so most people think. Set your camera to automatic white balance and usually the results are reasonably good. So, what do you do if you want really accurate color balance? The key is the use of a calibrated target such as the ExpoDisc or CBL's Color Balance Lens so you can accurately and quickly set a custom white balance.

Harris Fogel, Posted 2/16/2008